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Scriptnotes Podcast

Screenwriters John August and Craig Mazin discuss screenwriting and related topics in the film and television industry, everything from getting stuff written to the vagaries of copyright and work-for-hire law.
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Now displaying: October, 2015
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Oct 27, 2015

Craig and John get to the bottom of William Goldman’s famous quotation about Hollywood, which is so often misapplied. Then it’s a discussion of zombie cars, wind-tunnels, blockbusters, and the paradox of choice.

 

Finally, we look at the intersection of luck and talent behind a screenwriter’s career, and why struggle isn’t a useful yardstick for much of anything.

 

Links:

 

 

You can download the episode here: AAC | mp3.

Oct 20, 2015

John and Craig discuss the trend of hiring multiple writers to work concurrently on tentpole features. Can movies be written like television, and should they?

 

Then it’s a look at tax bills that LA-based writers may find themselves facing, and why you shouldn’t be afraid of a portly Hamlet.

 

Also this week, a strange French plagiarism case, and John considers writing a book in November.

 

Reminder that John is interviewing Drew Goddard for a special Writers Guild Foundation event on October 28th. Tickets available through the link below.

 

Links:

 

 

You can download the episode here: AAC | mp3.

Oct 13, 2015

Aline Brosh McKenna joins us to talk through the launch of Crazy Ex-Girlfriend, and what she’s learned since she introduced us to the show nearly a year ago. Brian Lowry of Variety raves that it is “one of the fall’s most promising hours.” We’re not surprised at all.

 

Then it’s a look at three pages from writer-director Scott Frank’s THE LOOKOUT, examining how a two-character dialogue scene works both on paper and on the screen.

 

Also this week: Indian screenwriters go on strike, Craig goes to Canters, and a French train hero gets stabbed in the second act.

 

If you got your new Scriptnotes shirt, show the world with the hashtag #scriptnotes or #scripnotesT.

 

Links:

 

 

You can download the episode here: AAC | mp3.

Oct 6, 2015

John and Craig look at how writing feature films is fundamentally different than writing television, and how that difference begins at the point of story inception. It’s not just that movies are longer; they’re also built to be unique events, with characters embarking on once-in-a-lifetime journeys. We discuss how to decide whether an idea is better suited for features or series, and lessons learned from properties that have existed in both worlds.

 

Then it’s another Three Page Challenge, with entries taking us from dark cellars to the edge of the galaxy.

 

Links:

 

 

You can download the episode here: AAC | mp3.

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