On the 35th episode of Scriptnotes, John and Craig discuss the small, currently leaderless world of Walt Disney Studios, along with its challenges and opportunities.
With so many of Disney's distribution slots taken up by DreamWorks, Marvel, Pixar and Bruckheimer, whoever gets the job of chief probably won't be making many movies on his or her own. Yet the Disney brand is one of the only ones that still means something to ticket-buyers, so finding a way to make Disney movies feels like a priority.
A discussion of Gregory Poirier's recent article on misguided cost-cutting segues to a letter from a veteran Hollywood screenwriter frustrated by just how bad studio development has gotten. That's followed by more listener questions:
John extols his favorite site for sheet music, while Craig gets nostalgic for his first real computer, the Franklin Ace 1000.
All this and more on Scriptnotes: A podcast about parking, and things that are interesting to parkers.
UPDATE 5-4-12: The transcript of this episode can be found here.
Craig and John take a brief look at the misguided Girls backlash and complaints about nepotism in Hollywood, before segueing to a bigger discussion of spec scripts and positioning:
Todo esto y más en el 34° episodio de Scriptnotes.
UPDATE 4-26-12: The transcript of this episode can be found here.
Craig and John just have to talk about the double-barrel craziness of the Joe Eszterhas/Mel Gibson spat. How often do you have screenwriters lobbing incendiary accusations at movie stars?
Well, pretty often, actually. But almost never so publicly. And the already-certifiable, formerly-A-list-ness of it all makes it especially gossip-worthy, so forgive us if we go on for a while.
That settled, we follow up on the Amazon Studios deal and what it means for screenwriters not currently in the WGA. One listener calls Craig an idiot, which leads to a discussion about what "professional screenwriting" even means.
John wants aspiring screenwriters to stop using the term "breaking in," because it doesn't accurately reflect the early stages of a writer's career. Meanwhile, Craig takes umbrage at the idea of "trust fund screenwriters."
We end with some questions and answers:
All this and more in the new Scriptnotes.
UPDATE 4-19-12: The transcript of this episode can be found here.
Craig and John answer questions about specificity, television and what to do when your great idea sounds too much like a movie that's already been made.
The big news this week is potentially very big news: Amazon Studios has completely revamped their business model, ditching the terrible parts and transforming into something potentially very good for writers. Notably, Amazon is now a WGA signatory, which offers the promise of residuals and credit protection for screenwriters.
Will it work? It's too early to say. But when a new player with deep pockets enters the film industry, it often helps loosen the purse strings. More importantly, the Amazon deal sets a precedent for other tech companies considering taking the plunge.
Along the way, Craig talks about directing and John takes his daughter to work. All this and more in this episode of Scriptnotes.
UPDATE 4-12-12: The transcript of this episode can be found here.
Craig and John take a look at Toph Eggers's apology, which segues to a discussion of apologies in general and laugh tracks.
The bulk of the episode is spent on listener questions:
All this and more in this week's Scriptnotes.
UPDATE 4-5-12: The transcript of this episode can be found here.
Craig and John offer advice on handling revisions once your screenplay moves into production.
Why do you lock pages? How do you add scenes once the script is locked? Why are some pages different colors? And what comes between page 15 and 15A?
Get it right, and it should be smooth sailing. Get it wrong, and you have a frustrated crew and a lot of cleanup.
Television series generate so many scripts that they generally have their own internal systems, with designated staffers to handle the process. But for small-to-medium-sized features, the screenwriter is the script department.
The good news is that it's usually pretty straightforward, especially if you follow some best practices to make life easier.
Also discussed this week: science fair projects, historic atrocities, and the origin of "wackiness ensues."
Standing on the shoulders of giants in episode 30 of Scriptnotes.
UPDATE 3-28-12: The transcript of this episode can be found here.
Craig and John tackle five listener questions on topics ranging from greedy managers to lazy agents to throwing in the towel.
Also discussed: St. Patrick's Day, The Book of Mormon (the musical), and the Koren/Eggers idiocy.
All this and Americans Against Mayonaise in the new Scriptnotes.
UPDATE 3-22-12: The transcript of this episode can be found here.
John and Craig turn from the pen to the knife to talk through the whys and hows of cutting pages
both the cosmetic trims and the deep cuts.
Your script is probably too long. Here's how to fix that.
Craig also discusses his WGA seminar on surviving the feature film development process, and his vision for a screenwriters training program analogous to the well-regarded TV showrunners program. He drafts John to teach one segment.
The last few minutes degenerate into a conversation about Skyrim, Arkham City, American Idol and uxoricide. So, be forewarned.
From killing your darlings to killing your wife, all in this week's Scriptnotes.
UPDATE 3-16-12: The transcript of this episode can be found here.
Celebrating Leap Day, John and Craig play the game of "What If?" Specifically, what if we each were handed the reins of a major Hollywood studio?
We discuss what we'd movies we'd make, what standard practices we'd change, and how we'd address the shifting realities of movie-going and home video.
Could we really do it better? Doubtful. It's easy to play make-believe, but much tougher when you're reporting to a major multinational corporation.
Still, there are things that everyone seems to get wrong, and it's worth the conversation about what could be done better. And if any tech billionaires feel like investing, you know where to find us.
Before that long conversation, we answer a bunch of follow-up questions:
All this and more in this episode of Scriptnotes.
UPDATE 3-8-12: The transcript of this episode can be found here.
This week, Craig and John get all Miss Manners to talk about best practices, bad behavior and throwing writers under the bus.
Short advice: Be charitable, be cool, be nice.
Note that we recorded this episode before the Oscars
at which Jim Rash, Nat Faxon and Alexander Payne received the award for Best Adapted Screenplay. After that acceptance speech, one could imagine a follow-up conversation, but we'll probably just be done with it.
Have been both the re-writer and the guy being rewritten, we also discuss how to best handle these awkward situations. (Pick up the phone and call the other writer, for starters.)
We finish up by answering a listener question: How soon is too soon to follow-up with a producer who is reading your draft?
All this, plus discussion of Robin Quivers, Aline Brosh McKenna and a rumored Scriptnotes drinking game.
UPDATE 2-29-12: The transcript of this episode can be found here.