From Harper Lee to Sony to the Wheel of Time, it was a big week for studios trying to hold onto intellectual property. John and Craig discuss why those deals take such strange turns, including 1:30 a.m. airings on cable.
In follow-up, we look at why the WGA isn’t directly involved in the Gravity lawsuit, and how Rebel Wilson was lucky she never ran afoul of Australia’s classifiers.
A listener writes in with a question about “a film by,” prompting one Craig rant. John returns the umbrage about award season, and how we keep our best filmmakers from actually making their next films.
The 200th episode of Scriptnotes is fast approaching, and we want your suggestions for what we should do. A live show? Something else? Tweet or email your thoughts.
John and Craig do a deep dive on Tess Gerritsen’s lawsuit concerning Gravity, using the case as a way to talk about contracts, chain of title, adaptation and corporate ownership. Spoiler: It’s really complicated, but it’s really interesting too.
Both novelists and screenwriters will find a lot to discuss.
We also talk about editing while writing, and when it’s worth it to cut now versus later.
In this very-NSFW bonus episode, Craig and John sit down with writer-actress Rebel Wilson and author-columnist Dan Savage to talk sex, television, swearing, and poop. It’s 68 minutes of brand-new material you won’t hear anywhere else.
Huge thanks to our 1,000 premium subscribers for making it possible to do the show every week – and pay for editing, transcripts and hosting. You’re the best. Here’s a filthy hug.
John and Craig discuss exploding scripts and stock scenes. Then in the second half of the show, we welcome two very special guests.
Actress, writer and comedian Rebel Wilson joins us to talk about writing for television and Tall Poppy Syndrome.
Author and sex advice columnist Dan Savage tells us what he’d like to see Hollywood do better when in comes to sex on screen.
Both segments are out-takes from the much longer and much filthier Dirty Show available only on the premium feed. Our thanks to the 1,000 subscribers who made it possible, and to Rebel and Dan for joining us to talk about fish baskets, berets, anal sex and The Blue Lagoon.
John and Craig pick up loose ends, with follow-up on previous episodes about “friends,” conflict, improv, Kindles, and defibrillation.
Then it’s that Peter Bart episode, which is enough to cause a heart attack.
Finally, we get to some listener questions about referring to collective characters, INT/EXT, deaf assistants and ellipses.
Next week, we hope to have two episodes: a normal one and the NSFW dirty show for the premium feed.
Aline Brosh McKenna joins John and Craig to discuss the how movies featuring good mentors (Dead Poet’s Society, To Sir with Love) differ from films with bad mentors (Whiplash, The Devil Wears Prada). It’s not just that the teachers are bad guys; rather, the stories are structured completely differently.
John asks Craig and Aline about some ethical quandaries he’s been facing, ranging from awards voting to who is a “friend.”
We also discuss the “default male problem,” especially how it relates to comedy and the cleanest version of a joke.
Craig and John discuss conflict – why it’s bad in real life but essential in screenwriting. We define six forms of conflict common in movies, then look at ways to sustain conflict within a scene and throughout a story.
We also look briefly at Whiplash, both the conflict between its two main characters and the controversy over whether it should be considered an original or an adapted screenplay.
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John and Craig start the new year by discussing Chuck Palahniuk’s advice to avoid thinking verbs. Then it’s a new round of the Three Page Challenge.
We also do follow-up on the Sony hack.