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Scriptnotes Podcast

Screenwriters John August and Craig Mazin discuss screenwriting and related topics in the film and television industry, everything from getting stuff written to the vagaries of copyright and work-for-hire law.
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Now displaying: September, 2015
Get access to all episodes from SCRIPTNOTES for just 1.99 a month with Premium Access through MyLibsyn.
Sep 29, 2015

John and Craig discuss the WGA election results, and take a look at the issues that dominated the campaigns. What is a paper team? Do screenwriters really retire? And why does it take us so long to get paid?

 

We also dive into the mailbag and take questions on visiting Los Angeles, backend and residuals, and what an unrepped writer should do if there is interest in her project.

 

T-shirts are being folded and packaged this week, and should be in the mail by the time next episode airs. Keep a lookout in your mailbox, and be sure to pack them for Austin.

 

Links:

 

 

You can download the episode here: AAC | mp3.

Sep 28, 2015

In this bonus episode for Scriptnotes premium subscribers, John sits down with BLACK MASS screenwriter Mark Mallouk to discuss the film’s long journey from book to screen, including how the sudden reappearance of Whitey Bulger in 2011 changed both the script and the production.

 

This Q&A was recorded following the WGA screening on September 26, 2015. Thanks to Mike from the Writers Guild Theater for providing the audio

Sep 22, 2015

Craig and John take an extensive look at best practices when coming in to rewrite an existing script. How do you take the reins when you weren’t the first screenwriter? Whether you’re starting over at page one or executing some surgical fixes, we discuss the psychology and reality of being the subsequent writer.

Then it’s a look at how film schedules work. The translation from screenplay to shooting schedule can be brutal, but a smart writer (or writer-director) can help the budgeting team make clever choices to make the best film. We offer pointers to help navigate compromises inherent in trying to go from page to plan to production.

Scriptnotes t-shirts are being printed this week. Thanks to everyone who pre-ordered a shirt. We’ll have them out the door beginning the second week in October, in time for the Austin Film Festival.

Links:

You can download the episode here: AAC | mp3.

Sep 15, 2015

John and Craig discuss the PG–13 rating, its effects and what screenwriters have to keep in mind when dealing with it. Then it’s a conversation about healthy and unhealthy relationships between writers and their representatives.

 

Also: are your odds greater of being a professional screenwriter or a professional football player? We have a lot of numbers, but no clear answer. The question points out interesting differences when it comes to pursuing one’s dream.

 

Links:

 

 

You can download the episode here: AAC | mp3.

Sep 8, 2015

Craig and John tackle another installment of “How would this be a movie?” with a look at the Kentucky clerk, the French train bros, Uber and Deflategate. Who are the heroes and villains, and would there be enough plot to support the running time?

 

We also explore the happy-sad feeling of finishing a screenplay.

 

Only two-weeks left to pre-order a Scriptnotes t-shirt. Don’t miss out!

 

Links:

 

 

You can download the episode here: AAC | mp3.

Sep 1, 2015

Craig and John open the mailbag to answer questions on acronyms in dialogue, off-the-air specs and international WGA jurisdiction. Plus we look at the growing trend of non-disclosure agreements on studio projects, and whether the nature of film requires less complex characters.

 

The big news: we have new Scriptnotes t-shirts! They’re available only by pre-order, and only for a short time. Join us at the store as we talk through the three designs, ranging from the classic logo, to vintage Camp Scriptnotes to an all-new Three-Act Structure blueprint by listener Taino Soba. Orders must be in by THURSDAY, SEPTEMBER 17th. (Link below)

 

Links:

 

 

You can download the episode here: AAC | mp3.

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