John and Craig look at the implicit contract made between screenwriters and readers
and ultimately, movies and their audience. That's a natural introduction to our Three Page Challenge and the three new entries we look at this week.
Also: Late Payments suck. You shouldn't tolerate it, and neither should your agents.
There are still a limited number of tickets available for the great Scriptnotes/Nerdist Writers Panel crossover live show on April 13th. You can find a link in the show notes.
Craig and John get in your head to talk procrastination, pageorexia and generalized anxiety. They also move beyond the psychopathology to discuss all the changes in the industry, from cable mergers to lawsuits to disruptive technologies. You’re not as paranoid as you think you are.
John’s new app Weekend Read is in the App Store now, and free. So check it out.
The long-fabled crossover episode with Nerdist Writers Panel is happening April 13th at 5pm. Tickets are $15, and will sell out, so get on that. Link below.
John and Craig tackle the greatest controversy in screenwriting: how many spaces to put after the period. From there, it’s follow-up on the Final Draft episode, including some behind-the-scene details.
Why is it often better to write in public spaces? How do you keep your hero in the driver’s seat? What do you do if you’re dating an emotional vampire? We have some answers.
We also have annoyances: the $1 billion lawsuit against Tom Cruise, similar hijinks with The New Girl, and Time Tailor.
The Big Fish cast album is available on iTunes and Amazon. A few last Scriptnotes t-shirts are available on the John August Store.
The makers of Final Draft pay us a visit to clear up John and Craig’s misconceptions of, well, everything. It’s double the umbrage for your money.
Then we discuss Quentin Tarantino’s leaked script, the upcoming WGA negotiations, and how to make it clear you’re attached to direct your spec.
In the tradition of the Raiders and Little Mermaid episodes, John and guest host Aline Brosh McKenna discuss and dissect the award-winning, record-setting, paradigm-shifting Frozen. But this time, we have the writer on hand to answer our questions.
Jennifer Lee not only wrote Frozen, she co-directed it. She talks us through all the twists, turns, and happy surprises on the journey. We go scene-by-scene and song-by-song to look at how it works and how it changed during development.
It’s an episode full of spoilers. But it’s also totally PG, so if your kids want to listen, let ‘em.
Craig will be back next week with an all-new episode and no recollection of what happened.
Carolyn Strauss, executive producer of Game of Thrones, joins John and Craig to discuss female directors and the death of pilot season. In one short hour, they solve all the intractable problems facing the film and television industry. (Not true. Not even remotely.)
Craig and John also recount the previous Sunday's inaugural all-screenwriter dungeon crawl. It was Craig's first D&D ever, and John's first time DM'ing in 20 years.
John and Craig took a look at Final Draft 9 and the futility of Twitter arguments before launching into three brand-new Three Page Challenges.
It’s a week of big egos as Craig and John take a look at when (or whether) filmmakers will be able to pull a Beyoncé and surprise-release a feature film, and what Mrs. Carter’s tussle with Amazon and Target means for the future of retail DVD.
Then we dust off an old blog post on “egoless programming” and find it has a lot to recommend for screenwriters. Finally, we look at the lawsuit over The Expendables because it’s crazy town.