Craig and John talk with Guardians co-writer Nicole Perlman about the development of this summer’s blockbuster, and her two years as part of Marvel’s in-house writing program. It’s a great look at how movies get started, and the dozens of drafts you didn’t see on the big screen.
Nicole stays with us as we discuss which city would take over if Hollywood fell into the sea, why IMDb credits rarely reflect a writer’s real career, and the worst ideas we were ever pitched by a producer or studio executive.
Craig loves the 1990 blockbuster Ghost. John? Ditto. Written by Bruce Joel Rubin and directed by Jerry Zucker, Ghost set the template for the modern romantic drama. It was Twilight before Twilight, Titanic before Titanic. It won hearts, weekends and Oscars, including best screenplay.
We tackle Ghost scene-by-scene, imagining all the terrible notes that must have come up in development, and how fixing some of the film's shortcomings would have created new problems. Ghost isn’t perfect, but it’s remarkably good — and worth taking a closer look.
This week, Craig and John tackle listener questions.
Why do some giant books get crammed into a single movie, while others get split into multiple films? How do you write a movie if you can’t even get your computer fixed? What should a screenwriter do if, after nine years of trying, he still can’t catch a break?
We don’t always have simple answers, but at least we have t-shirts. The new batch is available for pre-order starting today, so don’t wait.
If you’re in Los Angeles, the only chance to see us live this fall is at the Slate Culture Gabfest on October 8th. Check the link for tickets below.
Craig, John and Aline look back at what's new in the last three years, and make predictions about what's to come.
How does Craig feel about his Google Glass? (You can probably guess.) But he really wants his tricorder. John thinks we'll all start wearing VR headsets, and sooner than you think. Aline explains Spanx and why women dress for other women.
To celebrate the third anniversary of Scriptnotes, John and Craig invite Aline Brosh McKenna and her limitless analogies back to discuss box-office journalism, scene geography, emotional IQ and flipping the script.
It’s a jam-packed episode. In fact, there was so much we cut part of it out as a bonus Overtime show that will show up for premium subscribers later this week. In it, we make predictions, re-invent Spanx, and detail our love of D&D. If you want to sign up for the premium edition of Scriptnotes, head over to scriptnotes.net.
If we hit 1000 premium subscribers, we promise to do an NC-17 show that you should definitely not play in the car with your kids.
Tickets are available now for the Slate Culture Gabfest Live on October 8th. John and Craig will be guests, and it should be swell. Links below.
John and Craig spend the hour discussing the number one topic whenever screenwriters are done complaining about studio notes: the end of the world, and how to get ready for it.
From zombies to asteroids to plagues, we make so many movies and TV shows about the extinction of the human race. But why? What is it about the Death of Everything that is so appealing to writers, and how should we approach the genre when beginning on a new story? This is an episode about that.
We’re considering making new Scriptnotes t-shirts, but only if listeners really want them. Click over to johnaugust.com and vote.