John and Craig take a look at four new entries in the Three Page Challenge, ranging from galactic drama to medieval comedy. Along the way, they talk about the nature of one-hour teasers, trust, plausibility, and how to properly address religious authorities.
Screenwriting is often described as a compressed form of writing, but one can take it too far. “The” and “a” are often useless articles
but you notice when they’re gone, as we did in one of the entries.
From Amazon to animation, there’s drama this week about prices for books and movies and even internships. John and Craig take a look at what happens when companies wrestle over how much things cost, and the effect it has on people trying to make a living as writers.
We recorded this episode with a live audience listening in online. It went well enough that we’ll try to do it occasionally.
Craig won’t be able to make to this year’s Austin Film Festival, but never fear: Kelly Marcel will take his place at the live Scriptnotes show.
Craig and John discuss the accusations of plagiarism surrounding True Detective - and what plagiarism even means in the context of filmed entertainment. Movies don’t have footnotes, so how should screenwriters give attribution?
Next it’s time for a look at the major Hollywood studios, and what would happen if any of them were to merge, like Fox and Warners seemed poised to do. Following that, we take a look at the test screening process.
Finally, John wants to talk about the Canadian “about,” which isn’t “aboot,” and is a lot more complicated than you’d think.
John and Craig revisit one of their favorite episodes, in which they sit down with screenwriter-turned-psychotherapist Dennis Palumbo to discuss writer’s block, procrastination, partnerships and more. It’s a can’t-miss episode for aspiring writers and professionals alike.